I think Prince’s ideas apply to the 1932 Scarface. The relatively new dimension of sound certainly adds to the violence in the film. Not only do you hear the dialogue and eerie music, but you also hear every gunshot and cry of pain. This is shown when Cesca is shot and you hear the agony in Camonte’s voice. It is very chilling to hear a man’s cries as his sister dies in his arms.
I feel Prince’s ideas about violence have been represented over time. He argues of the power that the lighting and editing have in a movie and although the lighting in black and white movies are very powerful, I believe it’s power is greater in films of color. Also, the editing of films have come a long way since the thirties. Films, especially violent ones, have become more real than ever.
When the 1932 and 1983 versions of Scarface are compared, I personally, am more entertained by the latter. I love action movies that lay everything out on the table. Now, in hindsight, the 1983 version is a bit unrealistic, when I watch a movie, I am too caught up to even care. I also don’t think the 1983 version is any more harmful because I think the ending puts a dose of reality into the movie and makes the life of a gangster less attractive. You watch a man fall so far and it captivates yet scares you.